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Gadis tipe onee-kei memakai merek-merek busana produk Shibuya Di antara gadis onee-kei, masih ada onee-kei dengan model busana gadis kaya yang kawaii.

Sementara itu, populasi gyaru hitam kurogyaru dari tahun ke tahun semakin berkurang. Gadis yamamba berambut putih dan berkulit gelap, dinamakan yamamba karena penampilan mereka mirip nenek yang dibuang ke gunung.

Dari Wikipedia bahasa Indonesia, ensiklopedia bebas. Diakses tanggal Subkultur Jepang. Gyaru-moji Visual Kei. Kategori tersembunyi: Artikel mengandung aksara Jepang Semua artikel rintisan Rintisan bertopik Jepang.

Ruang nama Halaman Pembicaraan. Tampilan Baca Sunting Sunting sumber Versi terdahulu. Warung Kopi Portal komunitas Bantuan.

Wikimedia Commons. Artikel bertopik Jepang ini adalah sebuah rintisan. Anda dapat membantu Wikipedia dengan mengembangkannya.

Ganguro can be used to describe girls, or gals, with a tan, lightened hair and some brand clothing; they can often be confused with Oneegyaru Big Sister Gal and Serebu Celeb , although Oneegyaru is usually associated with expensive gal brands and Serebu focuses on expensive western fashions.

Fashion magazines like Egg and Ageha have had a direct influence on the ganguro. Other popular ganguro magazines include Popteen and Ego System.

The ganguro culture is often linked with para para , a Japanese dance style. However, most para para dancers are not ganguro, and most ganguro are not para para dancers, though there are many who are ganguro or gal and dance para para.

One of the most famous early ganguro girls was known as Buriteri, nicknamed after the black soy sauce used to flavor yellowtail fish in teriyaki cooking.

Egg made her a star by frequently featuring her in its pages during the height of the ganguro craze. After modelling and advertising for the Shibuya tanning salon "Blacky", social pressure and negative press convinced Buriteri to retire from the ganguro lifestyle.

Old school yamanba and manba particularly known as Manba featured dark tans and white lipstick, pastel eye make-up, tiny metallic or glittery adhesives below the eyes, brightly coloured circle lenses , plastic dayglo -coloured clothing, and incongruous accessories, such as Hawaiian leis.

Stickers on the face died out shortly after and, for a while, yamanba died. Manba then became more extreme, with multicoloured and usually synthetic hair.

Manba in saw a darker tan, and no facial stickers. Wool emulating dreadlocks, extensions, and clips were worn to make hair appear longer.

Clothing remained the same, although leis were worn less frequently. Yamanba and manba are distinct from one another. Yamanba involves white make-up only above the eye, while manba makeup is applied below the eye also.

The word ganguro can be translated as "burn-black look", "dark tanning" or "black-face". The term yamanba derives from Yama-uba , the name of a mountain hag in Japanese folklore whom the fashion is thought to resemble.

From Wikipedia, the free encyclopedia. For the Noh play, see Yamanba Noh play. Retrieved Archived from the original on

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Ganguro girls share certain common stylishtic choices: dyed hair, darker tan, and white make-up. Kogyaru reached its first peak in mids when it received extensive coverage from mass media which generated a moral panic by linking sexualized versions of uniforms that these girls wore to a deviance from the national character of morality.

However, despite getting caught up in the stereotype, kogyarus did not make up the majority of teenage prostitution. The birth of ganguro as a prominent sub-genre of gyaru subculture was in the intersection between the significant decrease of the original wealthy kogyaru and the rise of lower-class gyaru participants.

The aforementioned stereotype and the way it drew older men to kogyaru contributed to the formation of ganguro as a defense mechanism of these subculturers to shut men out of their circle and instead focus on gaining favor from fellow participants of the subculture.

Kogyaru and ganguro are two major peaks of the subculture as a whole in terms of popularity and media exposure. Nevertheless, new subcategories of gyaru also arise through time while still keeping the stylishtic core of the subculture.

Gyaru subculture is dominated by females, especially young girls. However, there are also male participants, who are called gyaru-o.

Gyaru-o started appearing afterwards as they are mainly boys who are interested in gyaru girls and want to hang out with them.

At the root of the gyaru subculture is the common theme of resistance through fashion innovations and adjustments. In other words, the birth of the subculture is a reaction against the dominant Japanese culture up to the s.

Afterwards, ganguro, still aligned with the resistance against dominant standards, seemed to focus more on resisting against the foreign influence.

You can only witness authentic gyarus in Japanese neighborhoods. The class-based nature of gyaru subculture can be seen through the variety of its subcategories because it allows participants from different social classes to join.

Specifically, for one to become a kogyaru at that time, one has to first be able to afford expensive pieces of clothing.

So firstly, kogyaru is only known practiced among affluent kids. Shibuya , considered the hub of the gyaru subculture, also helps much in this process as it represents the commercialization of gyaru.

Shibuya is a shopping complex that has many gyaru clothing and accessories shops. In some senses, Shibuya serves as a style guide for gyaru newbies.

With gyarus more frequently flocking to the location, the shop owners started producing individual clothing pieces, usually flashy and sexy, for gyarus to mix and create their own gyaru outfit.

No more confined to only high school uniforms, gyaru subcultures gradually becomes more accessible. Prices of clothings from these shops also vary greatly, so it caters and attracts not only gyarus from upper class but also those from lower class.

Another factor that also helps maintain the existence of this fashion subculture is its own transformative nature. Gyaru subculture never dies down, but rather moves to different stages signified by different styles and make-up.

Some also attribute these transformations of the subculture as a way for it to stay deviant, since too many followers of a sub-genre will make it become normalized.

Media Resources. An interview with leaders of a group of gyaru participants in the sub-genre of strong kuro gyaru dark skinned.

These members of the group talked about the fashion, the culture, and more. Japanorama Season Bad Girls Gyaru Kogal, a sub-genre of gyaru subculture is featured among some other subcultures in the three episodes of season 3 of this program.

Significant Scholarships. Gyaru is a Japanese street fashion if you haven't guessed by now! Gyaru is a fashion that is inspired by both Western aesthetics as well as fashion.

Sometimes people call it 'Asian girls dressing like white girls'. I could go into how gyaru are viewed by Japanese society but I'll keep that post for another day.

Now we've had our brief introduction I can start going into the different sub-styles of gyaru. Agejo Agejo is a style that can also be referred to as kyabajo.

The agejo style is very glamorous and quite sexy and quite often worn by hostesses which is where kyabajo comes into the style.

Some of these girls are not hostesses but many are; if you're unsure what a hostess is they're typically girls who dress glamorous in order to attract men.

The girls sit with the men in exchange for money; sexual services will sometimes come into the equation but that depends on the gyaru.

Sakurina, a popular model who follows the agejo sub-style. The gyaru who follow the agejo sub-style often have hair which is dyed brown or blonde which is usually styled in curls or up-do's.

The use of extensions and wigs are popular within the style. As you can see the style is very girly and as previously mentioned, glamorous.

It's not uncommon to see an agejo with brand-named bags and jewellery and if they're a hostess they'll often be wearing dresses which are slightly over the top.

Magic Monroe is a popular brand for these type of gyaru. A popular magazine for these type of gyaru is 'Ageha' which actually started the name for this sub-style!

Manba Manba is one of the most well known gyaru styles overseas. It was born from the yamanba sub-style which died out back in and is considered one of the more extreme gyaru styles.

The style always seems to be changing so it can be a little difficult to keep up with the evolution of the style. Gyaru who follow manba often have a dark tan and highlight their features with white make-up; this make-up is particularly focused around the eyes, lips and with a stripe on their nose which makes them look a little like a panda bear.

They wear club wear with lots of neon colours and this is layered over other clothes. Their hair has a tendency to be bright colours or blonde and will either be braided or cut into a mullet style.

Some manba carried on wearing diamantes around their eyes as a call back to the yamanba style whereas some of them do not. The main differences between manba and yamanba are their choice of make-up and clothes.

Manba make-up will often include various colour of eye shadows and coloured lashes which weren't featured in yamanba. In addition, yamanba included frequent use of leis and Hawaiian prints whereas manba does not.

Despite being a sub-style, manba has another sub-style called tsuyome manba which is even more extreme and uses copious amounts of accessories.

Banba Banba is often seen as a lighter version of manba but in reality it's pretty much a style on its own.

It's a more toned down version of manba. The tans are much lighter and the make-up is a lot more subtle.

The ever so popular nose-stripe isn't quite as blocky as it would be and the neon hair colours aren't as common. The clothing they sport is a little different too as the colours aren't as neon coloured or dramatic as manba.

However their make-up is still a little extreme; false eyelashes are much more extreme and some banba have a tendency to use lots of glitter!

B-Gal B-Gal is a sub-style which is identifiable by the clothes. Clothing in this style tends to be a bit more on the R'n'B style of things so they include sexy dresses, sneakers, caps, etc.

The style is quite colourful! Hairstyles in this style are very recognisable such as cornrows and extensions are a must. Hair can also be wavy and some B-Gals dye their hair a plethora of colours.

You could say that rasuta gyaru is a sub-style within b-gal; rasuta gyaru wear lots of Jamaican flags and straw handbags and listen to Bob Marley.

Ganjiro Ganjiro, or Shiroi Gyaru are gyaru who aim to keep their skin "beautifully white" bihaku and apply sun-block.

They follow all the gyaru trends as they come and so but just without tanning their skin. Some ganjiro do tan their skin but only very lightly.

Having pale skin has recently started to become popular in gyaru so it's not uncommon to see gyaru without a tan. Of course it can be difficult to follow some of the styles where darkened skin is popular such as manba but lots of other gyaru styles can be applied to the ganjiro image.

Amekaji Amekaji is an "American Casual" style. It's a casual style that can be worn on a day to day basis.

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